From the award-winning author of Djinn Patrol on the Purple Line comes a “splendid” ( The New York Times ) novel set in nineteenth-century Tibet that follows two outsiders—an Indian schoolteacher spying for the British Empire and an…
From the award-winning author of Djinn Patrol on the Purple Line comes a “splendid” ( The New York Times ) novel set in nineteenth-century Tibet that follows two outsiders—an Indian schoolteacher spying for the British Empire and an English “lady” explorer—as they venture into a forbidden kingdom. “An epic, perilous odyssey . . . scrupulous in its excavation of our spooky, imperfect pasts.”— The Guardian 1869. Tibet is closed to Europeans, an infuriating obstruction for the rapidly expanding British Empire. In response, Britain begins training Indians—permitted to cross borders that white men may not—to undertake illicit, dangerous surveying expeditions into Tibet. Balram is one such surveyor-spy, an Indian schoolteacher who, for several years, has worked for the British, often alongside his dearest friend, Gyan. But Gyan went missing on his last expedition and is rumored to be imprisoned within Tibet. Desperate to rescue his friend, Balram agrees to guide an English captain on a foolhardy mission: After years of paying others to do the exploring, the captain, disguised as a monk, wants to personally chart a river that runs through southern Tibet. Their path will cross fatefully with that of another Westerner in disguise, fifty-year-old Katherine. Denied a fellowship in the all-male Royal Geographical Society in London, she intends to be the first European woman to reach Lhasa. As Balram and Katherine make their way into Tibet, they will face storms and bandits, snow leopards and soldiers, fevers and frostbite. What’s more, they will have to battle their own doubts, ambitions, grief, and pasts in order to survive the treacherous landscape. A polyphonic novel about the various ways humans try to leave a mark on the world—from the enduring nature of family and friendship to the egomania and obsessions of the colonial enterprise— The Last of Earth confirms Deepa Anappara as one of our greatest and most ambitious storytellers.
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